About
My first novel, August in the Vanishing City, is a literary action thriller set in Cyprus during the volatile 1990s. It's a story of obsession, passion, and the attempt to come to terms with historical injustice. It's good. You should read it.

I'm currently working on my second novel, Lifeboat — a near-future dystopian thriller that wrestles with the traumatic and psychologically damaging effects of pandemics and creeping authoritarianism.
I'm obsessed with injustice and the way that tyranny is built on lies. We are drowning in careless and malicious narratives — conspiracies, disinformation, misinformation, and hallucinations that no amount of fact checking seems able to counter.
Great fiction tells the truth. Sometimes it tells us something obvious. Other times, the message is subtler, more nuanced, more contradictory. Sometimes it offers hope; other times despair. But even tragedy can bear witness, expand the imagination, allow us to more clearly see what was hidden—or what was right in front of our eyes.
I've come to believe that the biggest challenge we face is a failure of imagination. If that's true, journalism alone won’t save us, and neither will the facts, at least not by themselves. I'm not sure if fiction can, but at the very least, it can expand the realm of the possible in our minds.
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